Michelangelo was pessimistic in his poetry and an optimist in his art drill. Michelangelos artwork consisted of paintings and sculptures that showed good-will in its natural state. Michelangelos poetry was pessimistic in his answer to Strazzi even though he was complementing him. Michelangelos sculpture brought out his optimism. Michelangelo was approving in completing The Tomb of Pope Julius II and persevered through and through its many revisions trying to complete his vision. Sculpture was Michelangelos main name and address and the love of his life. Since his art portrayed both optimism and pessimism, Michelangelo was in impression with his positive and negative sides, showing that he had a with child(p) and stable personality.
Michelangelos artwork consisted of paintings and sculptures that showed humanity in its natural state. Michelangelo Buonarroti was called to capital of Italy in 1505 by Pope Julius II to create for him a monumental grave. We have no clear sense of what the tomb was to look like, since over the years it went through at least five conceptual revisions. The tomb was to have three levels; the rotter level was to have sculpted figures representing Victory and bond slaves. The support level was to have statues of Moses and Saint Paul as sound as symbolic figures of the active and contemplative life-representative of the human pains for, and reception of, knowledge.
The third level, it is assumed, was to have an effigy of the deceased pope. The tomb of Pope Julius II was never finished. What was finished of the tomb represents a twenty-year span of frustrating delays and revised schemes. Michelangelo had hardly begun work on the popes tomb when Julius commanded him to fresco the ceiling of the Sistine Chapel to complete the work done in the previous century under Sixtus IV. The general organization consists of four large triangles at the...
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