Theories Of Drunvalo Melchizadek And Jungian Biology Essay

Theories Of Drunvalo Melchizadek And Jungian Biology EssayIn genetics, it is understood that piece ca-ca 44 chromosomes (22 pairs), plus 2 sex chromosomes that determine gender. That is scientific fact. Heres where it gets tricky. Suppose one has more or less than 44? Indeed, it scum bag happen some genetic dis enacts be caused by this. But what arrogate could it have non simply on the human consistency, scarce on the human consciousness? From the metaphysicist himself, Drunvalo Melchizadek on that point be three tot completelyy contrary kinds of man on the Earth, meaning that they perceive the One globe in three different ways, interpreted differently. The initiative kind of human has a chromosome composition of 42+2. They comprise a unity consciousness that does non see anything go forthside themselves as cosmos separate from themselves. To them, there is entirely one energy one life, one beingness that moves everywhere. Anything happening anywhere is within them , as well. They ar like cells in the body. They are all connected to a single consciousness that moves with all of them. These are the aboriginals in Australia. There might be a few Afri locoweed tribes left like this. Then, there is our level, comprising 44+2 chromosomes. We are a disharmonic level of consciousness that is used as a graduationpingstone from the 42+2 level to the next level, 46+2. We are dangerous to both ourselves and nature, that we are necessaryThese two additional chromosomes falsify everything (Melchizedek).In short, those lacking(p) a pair of chromosomes (compared to normal humans) perceive all reality and being as one. This falls into line instead well with the spiritual beliefs of the Aborigines in particular (however, it must be bodeed out that no group of tribe today currently possess the requisite 42 chromosomes). In metaphor, reality is one giant landmass with no divisions, no individuals.Those with the 44 chromosomes (in short, us), are unstab le. Our level of evolution is simply a building block to 46. We have individual braves, but now fail to ever come together. In essence, each reality is a completely isolated island from one an other(a). grammatical construction from this, it could be reasoned that our pain, suffering, ignorance, apathy and general bad qualities stem from our chromosomal imbalance. Therefore, the only way to truly rid ourselves of these is by moving on.Finally, to 46 the next step in human evolution. According to Melchizadeks theories, it is at this point that we come together as individual to make one, each separate, but unified. In his words againThe main change depart be a shift to the unity consciousness. Every cell in your body has its h middle-aged consciousness and memory. You, the higher being that occupies your body, make the millions of different consciousnesses in your body work together as one being. How does this relate to this late evolution? turn over of yourself as a cell and th e grid as the higher being. We will still have individual consciousness, but will be join in the form of a higher being in order to work as one entity (Melchizedek).In the perspective of the Christian religion, it could be viewed as a step towards becoming more God or Christ like individual pieces making up a integral, not far from the Body of Christ belief. As all-in-one, we would achieve universal hearing. There would be no pain, no suffering, nor ignorance or apathy. To draw another parallel, it would be quite similar to the Kingdom of God or Heaven.Being said, how do we move from 44 to 46? In more general terms, perhaps it is simpler to ask how we give the gate move from where we are as imperfect humans to something beyond, something greater, the next step. Heres where the lyrics of xlvi 2 and elements of Jungian psychology come into play.At the heart of Maynards Forty-Six 2 lies the concept of Change is coming through my shadow. In Jungian psychology, the mind is broken down into many parts, including the anima/ bad blood, the self and the shadow.In manlikes, the anima is a group of feminine traits suppressed deep into the subconscious. Similarly, the animus is the group of masculine traits suppressed in the subconscious of females. Though not consciously present, the anima and animus affect our behavior in powerful ways. Commonly, we render out or project those traits out onto other of the confrontation sex. This accounts for the tone of voice of falling in love at first sight. Though we whitethorn hardly know the person, our subconscious knows what they represent. As the opposite of the conscious self, the anima/animus can act as a guide to our own subconscious. They are often expressed as the guiding female (if youre male) or male (if youre female) figures in our dreams. In short, our unconscious egos (the anima/animus), are traits we desire in the opposite sex we ourselves suppress.Conversely, the ego is our conscious mind, our sense of individualised self. This sense of personal identity is purchased, however, at the expense of certain tendencies that are rejected as not-self. These rejected traits come together as a kind of unconscious counter-ego, termed the shadow.Unexplainable feelings of annoyance, anxiousness or take down anger can be a result of being in contact with someone who possesses elements of our repress selves. In dreams, out shadow may take a corporal form, often as an adversary of the same gender. Of all the elements that make up our psyche, the shadow has the potential to be both the nearly dangerous and the most critical to our personal developments. It represents everything we most fear and despise, but also represents everything we must master to move forward.Maynards suggestion for moving from our level to the next is by embracing the shadow. By taking in the previously rejected aspects of ourselves (the not-self) and skill to live with them (it), we take a great leap towards making ou rselves whole again. Do what it takes to move through, to lie, cry, die, and kill but also to move, grow and to nobble are fundamental.Deep concepts and New Age theories are nothing new for Maynard and Tool. With track titles like Stinkfist, Pushit, Third Eye, Schism and Parabola, Tool has never been, nor try to be, a band easily understood from the surface. Their stock lyrics, stage shows and even album artwork all reflect this. The cover to the album Aenima, from which the song Forty-Six 2 is taken, even follows some of the themes from the aforementioned song. At first glance all one notices is the burst of white light at the center. Closer inspection reveals a series of out of focus eyeball ringing the light. In typical Tool fashion, theyve said exactly what theyve treasured to say without seeming to have said anything coherent at all. pretend outside the box (literally). Sure, we can all see or understand out personal shadows to some degree (hence the shadowy, out of focu s eyes). What lays beyond them, though, no one truly understands. Its a revelation so blindingly intellectual theres no seeing through it, nor any turning back. Those willing to look for themselves (a motto of soft for the band), will see the album cover, open the CD and learn things they may never had known before. With luck, theyll never be quite the same for it.Our shadows are elementary, almost primal. Only by looking within, to listen to my vim memory and reflect on what makes us us can we find our way through to the other side. By picking scabs and metaphorically uncovering old wounds we can confront what we previously rejected and avoided. We can step into the shadow and find new understanding on the other side.Works Cited or ConsultedKeenan, Maynard James. Forty-Six 2. Aenima. Rec. Sept. 1995. Volcano, 1996.Melchizedek, Drunvalo. lead story Edge Interviews Drunvalo Melchizedek. Interviewwith Val Valerian. Leading Edge Interview with Drunvalo Melchizedek. Ed. Joshua Sha piro. Dec. 1995. VJ Enterprises. 13 Sept. 2008.Tool. Album Booklet. Aenima. Rec. Sept. 1995. Volcano, 1996.Appendix AForty-Six 2Written by Maynard James Keenan of ToolMy shadowsshedding kowtow andIve been pickingScabs again.Im downDigging throughMy old musclesLooking for a clue.Ive been crawling on my bellyClearing out what couldve been.Ive been wallowing in my own confusedAnd insecure delusionsFor a piece to cross me overOr a word to guide me in.I wanna feel the changes coming down.I wanna know what Ive been hiding inMy shadow.Change is coming through my shadow.My shadows shedding skinIve been pickingMy scabs again.Ive been crawling on my bellyClearing out what couldve been.Ive been wallowing in my own chaoticAnd insecure delusions.I wanna feel the change consume me,Feel the outside turning in.I wanna feel the metabolism andCleansing Ive endured withinMy shadowChange is coming.Now is my time.Listen to my muscle memory.Contemplate what Ive been clinging to.Forty-six and two ahead of me.I read to live and toGrow, take and give and toMove, learn and love and toCry, kill and die and toBe paranoid and toLie, hate and fear and toDo what it takes to move through.I choose to live and toLie, kill and give and toDie, learn and love and toDo what it takes to step through.See my shadow changing,Stretching up and over me.Soften this old armor.Hoping I can clear the wayBy stepping through my shadow, approach path out the other side.Step into the shadow.Forty six and two are just ahead of me.Appendix BAenima album cover