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Thursday 11 April 2013

A comparative essay of I Cladius by Robert Graves and Augustus by Alan Massie

Autobiography is now almost as common as adultery, and almost as reprehensible, wrote Lord Altrincham. Whether paper an memorial is as reprenhensible is open to debate, but Lord Altrincham did get one topic right: that many people, even the most obscure citizen, atomic number 18 writing autobiographies. Some authors be even taking to writing fictional ones for historical figures who have been dead for millenia.

In these books a modernistic author assumes the role of a historical figure and recounts the subjects flavor and explanation of the time period through a frontmost person narritive.

Claudius the God by Robert Graves and Augustus by Allan Massie are two such books. The protagonists in these novels, Claudius and Augustus, were both emperors of Rome at the height of its power making them ideal candidates for such a work. The application of a modern authors perspective to an era whose history books are already full of bias, rumour, and unfounded opinion is an fire premise, but is it actually effective?

The answer is yes, the fictional autobiography is an effective and entertaining genre, because it allows for vast amounts of both explicit and inherent characterization, which gives the endorser a real insight into the true nature and beliefs of the of the protagonists, which allows the reader to develop connections with the protagonist.

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These connections are important because they allow the reader to fully empathize with the protagonist and olibanum be touch and entertained by the plot of the novel. If these connections do not outlast then the reader will not care what happens to the protagonist, and thus the fictional autobiography will fail to be engaging, because the betroth of the protagonist is of such importance to the novel.

This all-important characterization is achieved implicitly through the protagonists relations with women, how power corrupts...

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