television camera movement, editing and lighting are all insights for the viewer to test out the films genre. Camera angles for example, are very personal within this film and give away a lot about Somerset and Mills life. The two are very severalise and there is a lot to learn from each temper and what they offer to the plot of the story. From the start we find that Somerset offers a challenging depth and dimension for a character in this genre. Somerset is much more interested in the art of crime solving. However, Somerset is burnt out after 34 years on the force. He feels he is not reservation a difference anymore and therein lays the conflict of the story.
Somerset is a man who had it and hes giving up. Hes seen too much. Mills is a cop who has transferred into the subdivision and is full of optimism about the difference he can blade as an individual. The two look at the same fleck with dramatically opposing points of view.
The film is set against the background of a bleak, gloomy, and nameless city, where the rain does not stop. The lighting is very menial key and this is very common in films of this genre. The photography is muted, hoar and dimly lit. The rain only adds to that creeping feeling in your mind, and it allows a passageway for the viewer into a dystopian world.
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