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Thursday 8 November 2012

Attributes toward self

A good see of theory has been articulated about the effect of given genial realities on human air. Marxist social theory has at is core the thesis that the concentration of wealth and property creates a condition of inequitable distri exception of social goods, hence unequalised power relationships, with the result that humankind experiences social alienation. As Marx explains, for the tight and powerful alienation is positive and reinforcing, whereas for the proletariat the alienation is ostracize and destructive and shapes the structure of society.

The possessing class and the proletarian class epitomise one and the same human self-alienation. just now the former feels satisfy and affirmed in this self-alienation, experiences the alienation as a shorten of its own power, and possesses in it the appearance of a human existence. The latter, however, feels washed-up in this alienation, seeing . . . the contradiction between its human disposition and its life-situation (Marx 133-4).

Marx's focus is, of course, on class, not on "engendered" social experience. But Mrs. Wright's response to the conditions of her existence is barely distinguishable from the proletarian behavior Marx anticipates. Mrs. Hale and Mrs. Peters by no means accomplish Marx's vision, simply subversion in the service of alienated social actors (Mrs. Wright) is a little like stepping out of the circle, and once t


Wright was close. I think maybe that's why she unbroken so much to herself. She didn't even belong to the Ladies Aid. I call up she felt she couldn't do her part, and then you don't enjoy things when you feel cheap (Glaspell 11).

It has been ob managed that in 1916, when Glaspell wrote her story, "women were closed out of lawmaking in every relevant way with no right to vote, no right to hold public office, and no right to serve on juries" (Angel 345). Mrs. Wright would not have had a jury of peers at her trial, and laws regarding wife abuse were decades away from being revised, despite decades of fermenting and protest from the women's movement. From that point of view, Trifles can be considered less an drill in wishful thinking than a docudrama.
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Jones's account of women accuse of murder quotes a statement made in 1860 by the New York State Woman's Rights Committee is instructive:

The bureaucratic hegemon regime daily experience is a constant presence in Trifles and "Jury." The ready availability of the sheriff and county attorney in Trifles is fully agreeable with Foucault's idea of the "supervision of norms," which apply not only to Mettray but to social organization as well. The relevant point is that the existence of experience for the great mass of individuals is institutionally circumscribed and/or sanctioned. Because access to civil society's social goods is dramatically dissimilar for different classes of people, social order consists in enforcing a regime of even out by the happy few who are in power. Foucault refers to the " egress of a new form of 'law': a mixture of justice and nature, prescription and constitution, the norm" (415).

Glaspell's treatment of conscience makes a chop up of social norming. As Mrs. Hale and Mrs. Peters sift through Mrs. Wright's kitchen, the collection of detail about how much her life was constricted amounts to an bill of indictment of the one responsible. "I don't think a place'd be both cheerfuller for John Wright's bein
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