.

Tuesday 5 February 2013

The Development Of The Piano In Nineteenth Century

The forte-piano underwent many changes in the nineteenth century jump from the fortepiano to the modern pianoforte that we know now. At the beginning of the eighteenth century, the clavichord and the harpsichord were the domestic instruments. Most of the keyboard instruments of this time could not assume the same varieties of expression needed to substitute for the orchestra in the full treatment of Handel, Bach, Beethoven, Haydn, and Mozart. Therefore, there was an urge to set a keyboard instrument that combines the powers of purification of the clavichord with the size and strength of the harpsichord.
An Italian harpsichord maker, Bartolomeo Cristofori (1655-1731), invented the fortepiano and continued to develop this instrument until the 1720s. In the 1730s, Gottfried Silbermann, a German constructor of keyboard instruments, took up the work of Cristofori and built several grand pianofortes based on Cristoforis design. The classical fortepiano has lighter, thinner, less emphatic, more transparent and bear on tone color than the modern piano we have now. The lightsomeness of its construction produced a crisper sound that is characteristic of the music scripted of this day. Cristoforis pianos were not treasured in the beginning since his pianofortes were solace truly similar to the clavichords.

Ordercustompaper.com is a professional essay writing service at which you can buy essays on any topics and disciplines! All custom essays are written by professional writers!

There were still problems with playing libertine and repeated notes. One of the renowned fortepiano builders was Johann Andreas Stein, was one of Silbermanns pupils and took up his work to improving the instrument. Stein had hammers strike end side by side(predicate) to the player rather than the hinged end, which Cristofori would call backwards hammers. This Viennese activeness became to be widely used in Vienna up to the mid 19th century but it required very elegant sensitivity of touch to play the Viennese fortepiano since the piano was very sensitive to the players touch. Steins fortepiano was said to have a distinctive sparkle and superstar of tone with an unmatched clarity of sound. Its less...If you want to get a full essay, order it on our website: Ordercustompaper.com



If you want to get a full essay, wisit our page: write my paper

No comments:

Post a Comment