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Friday, 9 November 2012

Nature: The Poets Inspiration

The home and the elements that make up the home, including its garrets, chambers, rooms, corridors, door routes, and windows, project the form of the poet's mind and bring the reader walking(prenominal) to Dickinson's evolving sense of "place," as person and poet. Other images as healthful objectify her inner life, including all of her major concerns--self, family, fill in, loneliness, madness, renunciation, nature, God, death, immortality, eternity, and poetry itself.

a great deal of Dickinson's image of nature relates to fecundity as expressed by the plants, insect, and animals she suck ups all around the equally fecund human community. The ii are often related in her love poetry. This jakes be seen in "A Bee his burnished Carriage" as the poet depicts the bee taking his pleasure of the rose and then leaving her down in the mouth by the rapture:

The only interest between the bee and the rose is sexual. The situation emphasizes the power of the male, who takes the active role in initiating the joint and pleasure, while the female remains stationary and is the passive telephone receiver of the male's will.

"In Winter in my Room" is an erotically symbolical work that is at once a graphic commentary of the power of sexual attr doing and an analysis of the fear and horror that attraction may arouse. The imagery can be devoted a Freudian interpretation, and th


H.D.
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invests such(prenominal) lines with great emotion and a sense of wonder that expands beyond the mundane, showing metaphysical links between the green hills and God.

The way these lines are broken up also carries meaning, for contrasts are created by the different arms of each line. The leaves form a dismiss that is enormous and solid on the one hand nevertheless flexible enough to sway in the wind--here again we see images of the garden as beset by other forces of nature, the wind, the rain, and the action of time.

Here the tiny and annoying fly is an easily-removed impediment to love rather than the symbol of love that the bee or the worm may be. In the poem, the poet gives in to a sense of despair at ever being reunited with her love at all:

In "The Master," the power of the human mind is contrasted with the power of God as expressed through nature, and while the human master is up to(p) to impart lessons, god imparts even greater lessons through the mankind of beauty and the power of the natural world:


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