The Rainbow - a Novel by D.H. Lawrence

. . nonpareilly a intimacy to herself" (13). Heanor and Alfred's marriage is a little testy and peculiar, and each of their children has an odd streak of behavior. Tom is alien, too, apparently having the soul of a poet nevertheless unable to articulate its power over him (Lawrence 16). Sexuality in addition puzzles him; he wants it to satisfy "his inarticulate, powerful religious impulses," hardly his profound decency (perhaps a species of tenderness) makes him diffident with any woman he standardizeds. thus it makes a kind of sense for Tom to marry Lydia, the resident physician alien of the village, who brings to the Brangwen family a foreign but nurturant strain.

In describing Tom's early relationship with Lydia, Lawrence refers to his anger, rage, and fury at her standoffishness (40), but it is a mistake to imagine that these emotions find expression as physical abuse. What really seems to be going on with much(prenominal) diction is that it expresses Tom's most private and closely held instincts and emotions, of which he is exactly aware and which have everything to do with the cosmic anxieties of personality that Freud (346) describes as preconscious or unconscious and nothing to do with manifestly brutal behavior. Indeed, the manifest line of action is one of rather diffident, plodding, softly decorous courtship, which is what explains Tom's reflection on "an inner reality, a system of logic of the soul, which conn

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Austen, Jane. Emma. A Norton Critical Edition. Ed. Stephen M. Parrish. 2d ed. parvenu York: W.W. Norton, 1993.

Dickens, Charles. David Copperfield. New York: Signet/The New Ameri piece of ass Library, 1962.

The intensity of emotion that governs the inner lives of the characters contrasts with the more or less programmatically social marriages that complete Austen's novels. Emma Woodhouse and Mr. Knightley, romantic love match as they are, are also creatures of an environment that valorizes social accomplishment.

Indeed, the action of Emma turns on Emma's growing understanding of the importance of giving as sanitary as receiving social respect and casting off negligent self-assurance that in her "unite some of the best blessings of universe of discourse" (Austen 1). Like the Brangwens of the earlier generation, however, and not unlike Jane Eyre and Rochester ensconced in the ruins of Thornfield, Anna and testament make of Yew Tree Cottage a universe of its own. Anna and Will, like Jane and Rochester, are also two strong personalities, which implies a ardent relationship. However, whereas the action of Jane Eyre concludes with the reunion of lovers who seem issue to live in their private universe and persist in hotness, The Rainbow develops the idea that lovers can find themselves alienated even while committed to togetherness and passion in moderation. Will in particular feels that Anna is going to " allow" the intensity of his love "for the outside things" (151). Indeed, Anna, who comes to love Will as the father of her children, looks outward from the insular world of the marriage seat in a way that Lydia, mistress of Marsh Farm, is content to look inward. Her daughter Ursula looks outward even more.

---. Pride and Prejudice. New York: Barnes & Noble Classics, 2003.

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