Resnais' Nuit et Brouillard

Both Night and defile and Schindler's List reinforce this theme. We are warned at the end of Resnais' rent that war sleeps with whizz eye open. In this manner, the studymaker is reminding us that despite the unprecedented brutality of the final solution, such(prenominal) an atrocity energy go along again in upcoming. It is up to the individual to be wary and ensure it does not. Schindler's List, reminds us of the enormous difference star individual sack make against even an overwhelmingly sinewy and brutal regime corresponding the Nazis. Schindler's choices saved more Jews than were left in Poland. Thus, the frivol away reminds us that despite the significant total of individuals who chose not to stand against the Nazis, even single individual doing so saved thousands of lives. As Itzhak tells Oskar at the end of the film, "There forget be generations beca using up of what you've done" (Spielberg).

In Night and Fog, Resnais uses a class of techniques to reinforce the fact that despite its universally condemned in kindity, a future Holocaust is possible if individuals stand by and do nothing. When the film opens, the director craftily puts us in the position of a tourist. The title, Night and Fog, alludes to the Night and Fog Decree of Nazi Germany, one that encouraged any act of terror to occur in an invisible and untraceable manner. This reinforces the fact that such atrocities can occur without notice or reaction. The film begins by showing us lyrical and peaceful images.

In Schindler's List, Spielberg coaxes us to recognize our individual responsibility to prevent such atrocities like the Holocaust through the redemptive story of Oskar Schindler. Schindler's munitions employees amaze a chance to escape the Nazi death machines. The film often contrasts images of the worst inhumanity and brutality with those of overwhelming commiseration and religion. At one point, when the brutal commandant Amon Goeth orders a Jew shot, the womanhood pleas, "I'm only trying to do my job!" (Spielberg). Goeth immediately replies without human compassion, "Ja, I'm doing mine" (Spielberg). Contrasted with such scenes are the compassion of men like Itzhak Stern and Schindler, who both risk their lives to help others.

At one point Schindler tries to impart a degree of humanity and morality to the atrocious Goeth, "Power is when we have every justification to kill, and we don't" (Spielberg). such contrasting depictions of the human capacity for both good and evil are meant to reinforce that it is individual choice to act on good or evil.

In the midst of this pastoral setting, we pass on see emerge the grisly events of the Nazi death camps. By reminding us with visual imagery that peace and stability can quickly be transformed into brutality and chaos, the director is inveigle us to remain advised of such capacities. That many did not during the Holocaust helped Hitler implement his "Final Solution." The strong narration in the film is provided by Michael Bouquet, with dialogue based on the memoirs of Holocaust survivor Jean Cayrol. Bouquet's narration reinforces Resnais' message to remain aware; "An ordinary village for vacationers with a marketplace and a spire can lead all too easily to a concentration camp."

Spielberg, S. (Director). Schindler's List, (Film). USA, 194 min: 1993.

In sum, it is apparent that though Resnais and Spielberg use much different techniques and approaches in their respective accounts of the horrors of the Holocaust, the aim
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